Category: Smoky Mountain National Park

Quiet Light Publishing Newsletter

Quiet Light Publishing is pleased to announce the release of photographer Richard Mack’s second book Great Smoky Mountains National Park: Thirty Years of American Landscapes. With 220 pages and 246 spectacular images in both color and Black & White this book is also destined to win major book awards. The foreword is written by the park’s interpreter Steve Kemp. 

Great Smoky Mountains National Park: Thirty Years of American Landscapes

Great Smoky Mountains National Park: Thirty Years of American Landscapes

ISBN#: 978-0-9753954-2-4 11” x 13” 220 Pages with 246 images in Color and Black & White

4.75 lbs. in weight. 

Publisher’s Price: $60.00 Release Date: July 20, 2009 This book is due for release in mid-July but you can pre order at a reduced rate using the discount code for readers of our newsletter! Discount Code: QB01. Discount is applied at checkout. 

You can also Preview the Book! http://www.quietlightpublishing.com/media/pdf/GSMNP%20Book.pdf  

We also discuss new offerings from Quiet Light Gallery and new Workshops for nature and photography lovers in this issue. 

To view the full articles please use the link: http://www.quietlightpublishing.com/newsletters/200905.php  

Or visit us on the web at www.quietlightpublishing.com  

Look forward to hearing from you! 

Richard Mack


Pre-Order Great Smoky Mountains National Park: Thirty Years of American Landscapes

Great Smoky Mountains National Park: Thirty Years of American Landscapes

Great Smoky Mountains National Park: Thirty Years of American Landscapes

ISBN: 978-0-9753954-2-4

220 pages, 245 images, 11×13”

Quiet Light Publishing

Publisher’s Price: $60.00

Pre-Order Price: $45.00 (until June 1, 2009)

 

Four years ago today we released my first book, The Lewis & Clark Trail American Landscapes. As soon as you come out with your first book, the question is…so what’s your next project and when will it come out. Well, now. Kind of. You can now pre-order our second book, Great Smoky Mountains National Park: Thirty Years of American Landscapes. I have been training my lens on the park for just over thirty years so it made sense that my next book would on the park.

 

I began my quest to become a landscape photographer while on my first trip to Great Smoky Mountains National Park back in 1974 with my future wife, Kathy. I was not then as intense about photography as I am now. I was just beginning my journey and in all honesty wanted to find the closest national park to my home in Illinois. I chose the Smokies and the love affair began – between me and the park and between my wife and I. Since then I have visited many of our national parks, but I continue to be drawn back to the beauty, diversity, and complexity of the Smokies. It is, after all, a park that offers everything: historic buildings and living history, magnificent streams and waterfalls, a variety of old-growth and new-growth forests, large fields and coves with abundant wildlife, and of course, those stunning vistas into “smoke” filled valleys.

Over thirty years, many things have changed, and many others have stayed the same. The Fraser firs on Clingmans Dome have almost been destroyed by the Balsam Wooly Adelgid, yet younger trees now crowd the understory. Portions of the Alum Cave trail were inundated by a landslide during a thunderstorm. Cades Cove is no longer farmed. Logging operations cleared much of what is today parkland. Yet to the inexperienced eye, the places where lumber companies clear-cut mountainsides in the late 1800s and early 1900s are barely perceptible, a testament to both Mother Nature’s ability to regenerate and remove the scars of mankind, and to mankind itself for having the foresight to preserve this remarkable landscape. In some cases, entire species have disappeared from the area, like the buffalo and wolves, or even from the earth entirely as is the case with the passenger pigeon. But other species have been reintroduced. Elk have been returned to Cataloochee and have migrated into other areas of the park. The synchronized fireflies have been around forever, but only in the last 15 years have they become a popular treat if you are lucky enough to catch their 10-day show in early summer.

Some of these changes are reflected in this book, whether a black and white image of an old barn taken in 1976, or one of my last shots of a sunrise as seen from Newfound Gap in November 2008. I hope you will enjoy my vision of Great Smoky Mountains National Park. It is a jewel in our national park system. My wish is that you will come to love, as I do, the details of the leaves, the rush of water in the streams, the colors of the landscape as it changes from season to season.  

You can preview the book using the link: GSMNP Book Preview 

Our release date is July 1, 2009, but pre-orders start today, at the reduced price for readers of this blog of $45.00. So order now, and put the words BLOG in the comment area to insure your discounted price. We will not charge your card until we ship your order. Readers of this blog are the first to be able to order! GSMNP Book Pre-Order 

Thanks! Hope you’ll enjoy this new release! Stay tuned for more as we move forward! 

Richard Mack 


The Art of Editing

Great Smoky Mountains National Park: Thirty Years of American Landscapes 

For the last few months I have been hard at work editing the images for my next book Great Smoky Mountains National Park: Thirty Years of American Landscapes. Part of the process of course is editing your work, both in deciding what images to use in the book, and then in working with each image individually to achieve the best possible printed piece. While this later part is done in Photoshop – it is much like being in the darkroom and making sure the “print” you end up with is what you had pre-visualized in the field.

I recently was on a friends blog where he talked about editing film and how there was a space of time between when you took the image and when you finally had a chance to see the image in film form after processing. His thought was that the distance in time helped you make better decisions about the images because the emotion of the day when you shot it was not as fresh. There may be something to that, especially in the day of digital photography where folks tend to edit their work even while it is still in the camera! This is never, never to be done! How can you tell what it really looks like on a 2” low resolution screen? It’s great for making sure your close on the exposure – although the histogram is better – I would never delete an image based on what I see at that point. But I digress.

 

Having worked on images from over a thirty year time span I have found the same emotions, or at least ones close to them come streaming back as I look at the images. I happen to be able to remember almost everything about a photograph I have taken – too bad I can’t remember things like that in real life – but it makes it easier for me to remember what I wanted the photograph to say and thereby make the correct adjustments to an image. Creating an image which comes as close as possible to what I was feeling and intended the image to look like in the first place.

 

The hardest part of editing is deciding which images should make the grade and be in the book. An example is the cover shot. Because of its importance it also has some additional requirements which must be met. It has to pull people in, take it off the book store shelf and make them want to open the book. Therefore, I tend to look at the covers of similar books, in this case other photographic books on Great Smoky Mountains National Park. I do this because I don’t want my book to look like theirs. I look for an image which will say something about the book but also have a more artistic bend to it. I had a working cover image for a long time from a shot I really loved. But when all was said and done it did not make the grade. Another shot seemed to work better and had a more emotional pull for those who saw all three covers (hey we started with a lot more ideas but narrowed it down to three before subjecting folks to give their opinions).

GSMNP Book Cover - Choice #2

GSMNP Book Cover - Choice #3

I think in some ways, my friend might have been right about distance and time in editing at least in this case. I let go of an image I really liked and had an emotional attachment to. And now that I see the new cover image I like it even better than my first choice. So what is your opinion – let me know – I’d love to hear your opinions too!

 

Peace,

Richard


Nature & Landscape Photography Workshops Announced!

Sunrise, Great Smoky Mountains National Park

Today we announced the Quiet Light Nature Photography Workshops in the Quiet Light eNewsletter! Here’s the announcement. (To see the entire eNewsletter go to www.quietlightpublishing.com/newsletters/Aug2008.html)

Quiet Light Publishing and Richard Mack Photography have teamed up to form the Quiet Light Workshops. These are nature photography workshops for photographers of all levels. Quiet Light Photography Workshops offer people interested in nature and landscape photography the ability to hone their skills in the digital world of photography today. Each workshop will enable you to expand your skills with your camera, teaching or enhancing your knowledge of composition, color balances, and color calibration to get consistent work results, as well as downloading your images into the computer and optimizing them in Photoshop. Not only do we focus on improving the images you create, but we aim to engage your imagination and expand your appreciation of the natural world. Our workshops are designed to take you to some of the best landscapes the lens can see!

Join professional photographer Richard Mack as he leads you through some of his favorite places in nature – teaching and sharing with you many of the important techniques that have made him a leading nature photographer. Richard has shot on assignments in all 50 states and many countries. His portfolio includes works in both color and black & white from many National Parks, National Forests, and wilderness areas. His work has been exhibited widely in galleries throughout the United States. He has won numerous awards including twice being honored by the International Photography Awards for his nature images. His book The Lewis & Clark Trail American Landscapes has won over a dozen major photography, book and design awards.

 

These are hands-on, in the field workshops with Richard. You will be in surroundings that get your creative juices flowing and will serve as a wonderful photographic classroom. At the end of the day, images will be reviewed and discussed as a group. Techniques will be shared and Richard will work with each of you to improve upon what you’ve shot. The take-away from this workshop will be a better knowledge of how to make your equipment work to the best of its ability, a new understanding of composition, lighting, filters, etc. and a plethora of tips to make your images get the “wow” response.

Not only do you receive the expertise of Richard, but you will find him fun, easy to work with and truly passionate about photography. His goal is to give every participant the most rewarding photographic and learning experience possible. So, why not come along and set your own goal – take home some stunning photographs!

Workshop Schedule

Starved Rock State Park, Illinois
September 28-29, 2008
Great Smoky Mountains National Park
Tennessee & North Carolina
October 19-23, 2008
Zion National Park, Utah
January 25-30, 2009
Bryce National Park, Utah
February 1-5, 2009
Saguaro National Park, Arizona
February 23-27, 2009
Yosemite National Park, California
March 22-27, 2009

Great Smoky Mountains National Park
Spring Wildflowers
April 19-23, 2009

More Coming Soon – including Alaska trips!

Email us to be put on the list to receive updates!

info@quietlightworkshops.com

For more information use the link to go to the Workshops home page!

www.quietlightworkshops.com

Hope to see you at one of our Workshops!