Category: New Work

Grosse Point Lighthouse Documentary

While we are still filming and editing the documentary The Sweetwater Seas – North America’s Great Lakes, we were asked by the Lighthouse Park District in Evanston to produce a short introductory film about the Grosse Point Lighthouse.

Because we live in Evanston and grew up on Lighthouse Beach, we were delighted to take on this project and help people know this amazing National Landmark. In these times of Covid-19, the Grosse Point Lighthouse has been closed to visitors, as is the case with all lighthouses on the Great Lakes. This film will inform people about the history of the lighthouse, show you portions of its interior and aerial views that not even the visitors get to enjoy.

Don Terras, the Director of Lighthouse Park District, gives us a great history of why it was built at Grosse Point, what the lighthouse keepers did and more.

Because we are just one mile from the landmark, Grosse Point Lighthouse and its adjacent beach has been one of the locations we have used extensively for filming, from shooting the weather in every season, sunsets, moonrises and more, to testing equipment.

We hope you enjoy this short film about the Grosse Point Lighthouse.

Cheers,

Richard


A Busy Start to the Year

SPEX Art+Vision Show, GSMNP Book Reprinted, Updated Websites, Workshop Dates

It has been a busy year so far in 2013 with the opening of the SPEX Arts+Vision show with Jill Buckner as part of the TWO PHOTOGRAPHERS | ONE VISON project (www.twophotographers-onevision.com) encompassing our images from Italy and Morocco. When you have roughly 30 images framed for a gallery show it takes a lot of work to edit and print each one before framing and hanging the show. The show will be at the SPEX on Central Street in Evanston through February. If you are in the area you should stop by and check it out.

Great Smoky Mountains book

In addition, my book Great Smoky Mountains National Park: Thirty Years of American Landscapes is now being reprinted as we will soon be out of stock if we don’t! Part of this process is deciding if there should be any changes before you roll the presses. In this case we had to update the signature page with the updated info, change a Photoshop error on one of the images, and update the current Quiet Light Publishing book list to the final page in the book. We also added four of the best book awards, out of the dozen the book won, to the back of the dust jacket. The book went on press yesterday.

We also released the Quiet Light Workshop schedule for 2013 and updated some of those trips. More on all of that later. Check our websites for the updates. And speaking of websites both the Quiet Light Publishing ( www.quietlightpublishing.com ) and Richard Mack Photography (www.mackphoto.com) websites have been updated with new images and projects!

So the year starts off with a bang and next month will be the same as I get back to working on my next book Twenty/Ninety-Five part of the Great Lakes Project (www.quietlightpublishing.com/GLP.php) with a trip to Lake Superior to capture images of the ice and snow. This is a shortened trip from the one I was supposed to make the first three weeks of March. Will feel great to get back to this project! Stay tuned for updates!

Peace,

Richard

 


Putting together a Portfolio of Images…

 

I was asked by an art consultant if I had Black & White images she might be able to use for some of her clients, which are both private collectors and corporate collections. I am known for my color work, but I have been shooting Black & White images since I first held a camera when I was 18. I think every landscape photographer wants to shoot those grand B&W images and delicate close-ups in B&W. There is often more emotion in a B&W image, I believe because of the tonality of a great print and the lack of color which takes it to a different, unseen level, from real life.

 

 

So, I went to the files, now all in Lightroom, and selected a few of my favorite images. I also converted a few of my color images I had always thought would be great in B&W as well, even though I love there color versions. I am honestly not sure which way I like them in some cases. Each has a different feel.

 

 

  In going through a series of images shot a few years, or in some cases, many years ago, it is always kind of fun as the memories of each trip come flooding back. This of course can be a hindrance when you are editing as your emotions of the shoot come through and you may include a shot you might not have chosen without such memories. Hence it is sometimes a good idea to have a friend who is either another photographer or designer, or even a curator, to look over your selections. I opted for none of the above this time since time was of the essence. There were some I thought might make my first cut which on closer inspection just didn’t cut it. Other images came to the forefront when I didn’t expect them. Going back over your work also gives you a perspective of your abilities over the years. Both the times you excelled and those when you didn’t. It also gives you a broader look at your style and how you work. I think this is something every photographer should do occasionally, for going back through your work to put together a collection of images is always eye-opening and gives you that broader look at where you have been and where you are headed. This provides several options from which you can springboard forward in your new work.

 

I realize this is just a small sample of my collection of Black and White images. But it is fun to share these for now… to see the select I have made for now use this link: B&W Work  

Enjoy!

Richard


Underwater Shots with a New Camera

 Gold Fish Big Thoughts Pond

Last week I sat in my backyard by Big Thoughts Pond talking with fellow photographer Julie Crawford about the whole experience of being stuck in a rut when it comes to making images. We talked about things we shoot just to make money versus those we shoot because we want to shoot it – and it’s a great job when the two come together in one project. It also started me thinking about the fact that often we get bogged down in our equipment and loose that freedom of just making images. I have wanted a small point and shoot camera I could use just to make some “fun” shots with and to make me think a bit more outside the box since no longer would I have a lens selection or a polarizing filter or even RAW files to work with and without having to haul out the big Canon 1Ds-III and lenses I usually use. It seemed to me it would also be a very freeing experience. So with a deadline within our family I set out to research what I would buy.

I wanted one soon because my daughter is getting married in 14 months and there will be a lot of things going on between now and then that I want to document for the family. I had one requirement – I wanted it to be able to shoot underwater as well as being nice and small, and an added plus would be if it shot HD video as well. I have the aforementioned pond we built in the backyard and I’ve often sat their wondering what it would look like from under the water looking at the 50 or so gold fish in their own environment. So an underwater camera was a must. Besides I could also justify it by telling myself I just may use it on my next book project – on the Great Lakes. I found it in the Sony DSC-TX5.

These are the first shots underwater I’ve made. And only by leaning over the edge and pointing the camera towards the fish. I could only see shapes moving in the 3” LCD screen on the back – nothing more – and often less. I think for a first attempt they aren’t bad and have a bit of promise for more fun with them in the future.

Here’s a link to more shots online: http://www.mackphoto.com/blog/Fish/

Oh, and the engagement party was fun too! And it was great to be able to just pull a small camera out of my pocket when I wanted to grab a shot quickly. Yes, it is freeing to be able to just point it and shoot…now where is that color balance menu again?

Cheers,
Richard Mack